I spent most of my time today working on the fingerboard. I took all the tape off and started sanding........and sanding.....and sanding. Because of the very thin black edge on the maple bindings, I had to sand the glue off of the fingerboard very slowly and carefully. I wanted to make sure that I didn't sand through the black fiber edge and into the white fiber below it. It took a few hours of slow and careful sanding but I finally got it all cleaned up with the edges flush with the ebony. It turned out really nice. It was a lot of work, but I think it was worth the effort. My only concern is when I finally round the edges of the binding over, I know I will hit the white fiber. I did sand through to it in one small spot, and was able to stain over it with un-diluted tobacco brown stain concentrate. It stained just fine and the white disappeared so I think that I will end up doing that when it comes time to final sand the edges of the fingerboard. I really don't care for the white line in the binding, but that is the only thing that Stewmac had so I went with it. I will try making my own stacked bindings next time around so I don't have to deal with this again.
Once that was done, I took some time to design my peghead inlay. I wanted to make my own letter "D" for my initial out of pearl so I came up with a design I think I can do, and is different from what I have seen in the past. I made a quick visit to Stewmac.com and ordered some gold pearl inlay material and a saw & blades.
The fretboard all bound up and sanded. I know it looks crooked at the end, but that is just a shadow.
The edge of the fretboard. If you look really closely, you can see the white line between the maple and the black top.
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