Did you ever just have one of those days? Today I had one. I got up in the shop to work some more on the SJ and after inspecting the finish, I just wasn't happy. I had some pores that didn't fill right, and they collected the white sanding dust from leveling. I had gotten the back pretty good with the finish sanded down to the pores so it looked good. The sides however didn't. They had a lot more of those little divots with white spots in them. I decided to go ahead and try to re-level sand to try and remove them. I did this on the back and it worked pretty well and I didn't sand through so I figured I could do the same on the sides. I was wrong. I started to re-sand and just when I thought I had gotten them all leveled out, I saw that dreaded dull spot that is a telltale sign of a
sandthrough spot. I had sanded through just above the waist on the upper bout a spot about the size of a quarter. So now I had a decision to make. I could just brush the sides with lacquer to fix it or I could rough sand the entire body and spray the entire thing again. Since I was already spraying the other two guitars today, I decided to just go ahead and re-spray it. I had a few small orange peal spots on the top that I didn't like, and I still had a few spots in the back center strip that the pores were showing anyways so I figured that I could most likely get them to fill now with new coats of lacquer. I sanded the entire body down to 400 grit (ouch that hurts after getting it shiny as a mirror!) and leveled out the top spots as well as the few grain spots in the back. I then shot 4 more coats over the body and it is now drying. It does seem to look pretty good. From what I can see, it looks like I got all the pores filled so it should polish up a lot easier now.
While I was in-between spray coats, I decided to try and level out the neck where some pores were also showing through. Yep, you guessed it, I sanded through into the stain!
GRRRRR! So after a bunch of stain
touchup to try and make it match the rest of the neck I re-shot the neck to fix that spot as well. So, the SJ is basically back to where it was 8 weeks ago. I did get the tuner holes expanded for the tuners, and the
peghead is polished and looks great. I didn't re-spray that.
Yesterday I decided to try my hand at making a K-sled to make
kerfed linings. I did a rough draft of the machine using stuff I had in my shop and gave it a try. It works pretty well. It holds the strip of wood perpendicular to my
bandsaw, limits the depth of the cut, and automatically advances the strip a
pre-determined distance for the next cut. All I have to do is put the wood in and slide it back and forth into the saw blade. Now that I know how it works and what kind of adjustments I need to make, I will most likely get some
Lexan and make a more finished version of it.
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This was the SJ body just before I decided to re-sand the sides. You can see the reflection in the back. It looked pretty good, not perfect but very nice. Hopefully it will look good again!
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Here is the neck after sanding with
micromesh. I decided to try and get rid of some of the pore spots and ended up sanding through the neck in one spot. This also has been re-sprayed.
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This is the prototype of the
Ksled I made. I got the plans off of the
OLF and the original design was made by Frank Ford I believe.
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Here is a scrap piece of mahogany that I tested the
Ksled on. You can see different widths between the
kerfs. I have an adjustment on the sled that does this.
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So here we are, the two twin guitars in the background, and the SJ in the foreground.
2 comments:
What's with the brass plate on the back of the neck? It looks cool, just curious as to why?
Brass plate? There isn't a brass plate anywhere on the neck. Are you asking about the back of the peghead? If so, that isn't brass, it is ebony. I put an ebony peghead veneer on both the front and back of this peghead. It turned out really nice. I definitely will do it again on my next build.
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